Important in any story is the point of view since it will provide a guide to manage the story's execution. For a short period of time, a second perspective can be brought into the story even though most works of fiction uses one point of view.
The most common method of conveying a work of fiction is third person perspective. Allowing the narrator to have limited omniscience is this method. The narrator's access to the knowledge and feelings of the characters is limited and the reader can be taken from one character setting to another easily. There is no questioning of how the narrator knows so much about each individual; it is a premise that is simply accepted by most readers.
Third person perspective, unlike first person perspective that conveys the story from the cast member's perspective, doesn't allow the narrator to participate in the action. They are simply the mechanism that operates outside the story to bring the various story threads together.
If a writer were to give the narrator full access to all feelings and thoughts of the cast of characters the story would be a little flat because nothing would be left to the imagination.
When it comes to third person narratives, they can be found by the predominate use of words like they, he, she, and it. The narrator talks about others - never about himself.
The second person perspective is the least common perspective. Very few novels can utilize this approach throughout an entire work.
Words like you and you're are what this type of fiction relies on. When this type of perspective is used, you either understand you're reading a private story about someone else or you're connecting with the story as if it's written to you. A full manuscript that uses this perspective is rare even though an Epistolary novel like Screwtape Letters of C.S. Lewis may likely be considered as second person perspective.
An unintentional shift in perspective is the trouble many writers get into. Under certain circumstances this can be used effectively but it needs a breaking point so that the reader can understand the shift that took place. The story becomes confusing because the reader has to discover who's telling the story if there's no break to qualify the shift in point of view.
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