In this text, I assume that you've got some familiarity with the blues scale and are beginning to use it to improvise phrases over a 12-bar blues pattern. That's great, however you're not positive how you'll be able to go beyond randomly playing notes to make a solo that can very blow folks away? Killer guitar solos are regarding more than enjoying notes from your chosen scale aimlessly everywhere the fretboard! Thus, to help you out I've prepared a few pointers to how you should think about what you are playing when improvising a solo:
Chord tones are extremely necessary to focus on when you're soloing, notably the basis notes (the chord tones are the notes that build up the chord that you are playing over). These offer the strongest resolution points, thus phrases that start and end with chord tones will often sound better. Start with the foundation notes, and for each chord within the 12-bar blues pattern you are using practice playing phrases that start or finish (or each) with the root note. If you're comfortable with root notes, move on to phrases beginning or ending using other notes in no matter this chord is.
If chord tones are strong resolution, then why not use phrases that are all chord tones? These are arpeggios - the notes of a chord played separately - and they can sound extremely good used judiciously in your solo. Follow playing arpeggios over a twelve-bar blues backing track and then use them inside your solos, immersed with other phrases.
A terribly necessary musical concept is repetition, as familiarity is appealing to listeners and solos with sensible use of repeated phrases can sound a lot of thought out than free flowing solos. Here are a few ways in which that you could incorporate repetition in your solos:
? There is nothing wrong with just playing a lick and repeating the identical lick some times, notably if the chord changes beneath it - this will sound extremely great if used well.
? You can play licks with the same rhythm, but using completely different notes to keep a consistency in your solo
Another approach is to play licks using identical notes, but with a completely different rhythmic structure. You'll find this more troublesome to attain, but carry on as done well it can add some nice elements to your solos.
? Even just playing the same note or double-stop repeatedly will sound great in the correct place during a solo. A sensible pattern is to play triplet notes, maybe sliding or bending into the first note of every triplet. Listen to the great guitar solos by players such as Chuck Berry to hear how this can be done well.
? Typically in blues, players use question & answer phrases in their solos. To play these, you play a "question " phrase followed by a solution phrase. The query is usually repeated, perhaps with some variation, with the solution improvised more freely. To play this in an exceedingly solo, try enjoying the queries low down and the solution higher up. Or even better, play with a devotee where one amongst you plays the question and the other plays the answer. Try coming up with a low "question " phrase using the blues scale. Play it and then follow it with an answer phrase played higher up the scale. Play these repeatedly, improvising the solution phrase freely, over a 12-bar blues backing track. Introduce little variations into the queries once you start to get into it.
Well, there's some concepts that will hopefully create your blues solos sound additional professional. Currently you can practice incorporating them into your observe sessions as you continue to learn blues guitar!
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