Yankee Screenwriting Course; Hero's Journey - Resistance to the Transformation
The Hero's Journey is the template upon that the overwhelming majority of successful stories and Hollywood blockbusters are primarily based upon. Understanding this template could be a priority for story or screenwriters:
The Hero's Journey:
o Tries to tap into unconscious expectations the audience has concerning what a story is and how it should be told.
o Gives the author more structural elements than merely 3 or four acts, plot points, mid purpose and so on.
o Interpreted metaphorically, laterally and symbolically, allows an infinite range of assorted stories to be created.
The Hero's Journey is also a study of repeating patterns in successful stories and screenplays. It is compelling that screenwriters have a better likelihood of manufacturing quality work once they mirror the recurring patterns found in successful screenplays.
The Hero's Journey is also a study of conventions. Before screenwriters will decide whether to merely accept or reject the conventions, they would like to appreciate their purpose and value.
Consider this:
o Titanic (1997) grossed over $600,000,000 - uses the Hero's Journey as a template.
o Star Wars (1977) grossed over $460,000,000 - uses the Hero's Journey as a template.
o Shrek a pair of (2004) grossed over $436,000,000 - uses the Hero's Journey as a template.
o ET (1982) grossed over $434,000,000 - uses the Hero's Journey as a template.
o Spiderman (2002) grossed over $432,000,000 - uses the Hero's Journey as a template.
o Out of Africa (1985), Terms of Endearment (1983), Dances with Wolves (1990), Gladiator (2000) - All Academy Award Winners Best Film are based mostly on the Hero's Journey.
o Anti-hero stories (Raging Bull (1980), Goodfellas (1990) etc) are all based on the Hero's Journey.
o Heroine's Journey stories (Million Dollar Baby (2004), Out of Africa (1980) etc) are all primarily based on the Hero's Journey.
Resistance to the Transformation
Once the Hero pushes past the Physical Separation (Belly of the Whale), he enters the New World of the Transformation. However there is typically a resistance to coming into (even if the hero is willing) the New World of the Transformation and participating within the Transformation itself.
In Elizabethtown (2005), Drew tries to urge to Elizabethtown but he, frustratingly, loses his way. Even though he's somewhat keen reach his destination.
In Star Wars (1977), the Millenium Falcom contains a bumpy ride on the method to Alderran and therefore the Death Star.
In Gladiator (2000), Maximus is taken as a slave against his will and, initially, refuses to train as a gladiator.
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Author Resource:
Jerry Powell has been writing articles online for nearly 2 years now. Not only does this author specialize in Screenwriting, you can also check out latest website about
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