In an try to expand my musical horizons about 15 years ago, I purchased the Roland GR09 guitar synth and MIDI pickup, which I installed on my Jackson Dinky Reverse. This decision was driven a minimum of partially by Yngwie Malmsteen’s apparent guitar synth work in his Rising Power period. Plus, I wished to strive my hand at a new age instrumental venture at that time, and since my keyboard chops would’ve been woefully insufficient for the mission resembling this, I decided that controlling the synth sound would be far simpler for me to accomplish on a fretboard.
All in all, it’s been an important experience. The monitoring is amazingly quick and the sounds are pretty good. However I learned one thing very quickly- if you happen to’re going to play a solo utilizing a patch akin to a violin, piano, etc., you’d better play it as it might sound on that instrument. Merely ripping up and down the frets whereas wrapped in a sound apart from the guitar produces some less than convincing results. You need to THINK like a violinist, or a pianist, or a trombonist, or whatever instrument before you give you the licks.
Violin, for example. Lengthy, drawn out high notes with steady vibrato on the finish of each phrase can sound fairly convincing on tape. When performing a piano melody, keep away from string bends and vibrato just like the plague- play it straight. Pianists don’t have those impact capabilities, so don’t attempt to add them if you want the instrument to sound like the actual thing.
And if you're going to rip on a patch, be sure you’ve bought enough attack or it’ll sound like a lot undefined mush. My expertise is that blazing fast leads are all the time far better served on the electrical guitar anyway- synths just sound unusual on this capacity. The truth is, I’d keep away from electric guitar synth patches (and synth guitar solos) altogether. They never sound like the real McCoy- undecided why anybody would even attempt this.
Extra of a observe for Rhythm enjoying on a synth- it can be certainly be fairly superior either in a stay scenario or recording to have the ability to lay down some thickening string pads. I used to be in a band a few years in the past that lined Floyd’s ‘Comfortably Numb’. We had no keyboard participant, so through the verses, I performed a mixture of strings and my guitar amp, and it flashed out the sounds quite nicely (I used to snicker when bar patrons would hear the strings and look up on the stage to see where the keys were coming from. J). After all, when the large solo came at the end, I switched solely to my Marshall and proceeded to do my best Gilmour guitar solo- man, that tune was one among my favorites to do.
So, in summary- the guitar synth is usually a fantastic addition to your musical arsenal; you simply should know its limitations and play towards its strengths. Give it a go someday….
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