Keyboard Crash Course is a short handbook, about 50 pages, which discloses how to take what you already realize from learning acoustic instrument and through what medium to apply it to the electronic instrument and mostly within a group context.
For the classically trained pianist, or myself as a cellist, readinglead sheets can be cumbersome and hard. What in the world can be an A#sus+4? And how does that transform into music, though more importantly, through what agency just are you supposed to perform that specific chord on the piano? What happens when you achieve a chart that has chords like the one above plus a melody, what just happen to be you supposed to do with your left hand? What is the suitable approach to dealing with chord progressions and inversions of chords? them just are really a few of the a number of a number of questions instrument players deal with when they are demanded to nearly improvise from a chord chart. To many pianists, learning their own instrumental in a new way can be greatly daunting and can often feel harmful to their method, though this book, Keyboard Crash Course really helps calm your fears and provides an unified approach to dealing with the most common problems classically educated pianist face when presented with keyboard style more music.
Performing the electric musical instrument presents a whole fresh world of tracks to the acoustic piano. Now you have winds, string sounds, organ tracks, sound effects, etc. So your understanding of through what medium to choose and use all these fresh sounds needs to be apparent. Keyboard Crash Course guides you through and shows examples of how to use particular noises and become familiar with them.
Classically trained pianists at times are in only a couple settings, either accompanying, performing solo, or solo alongside an orchestra. So when you transfers those skills over to an ensemble, problems can arise. This book helps one realize from what source to work within an ensemble setting, it even goes into specifics with working in a worship or church band. Some of these more important concepts happen to be addressed by deliberating through what medium to leave space for other types of instruments and from what source to blend your sound with the rest of the group. And from what source to additionally deal with band which have both a keyboard and an instrumental!
If you're interested in broadening your keyboard skills to include the keyboard, this handbook is an excellent help. And it's cheap too. Only $15. It's not the handbook that has all the answers to all your questions, although it does give one an excellent start at being confident and comfortable at playing the keyboards. It takes the knowledge you already understand and applies it in new ways.
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